Not that those kind of scenes aren’t hard…er, difficult…to write. The first sex scene I wrote was nearly impossible for me to complete. Sure, it was because I was giggling so much tears were streaming down my face, but still. It’s tough to write when you can barely see the screen.
(You can see why it’s best if I’m alone when I write.)
The scenes where you kill a character are rough emotionally. (Well, except for this one jerk in my drawer novel. I actually enjoyed offing him. Yeah, I can be a bit bloodthirsty when the occasion warrants.)
But, truly, for me the hardest scene I ever wrote was because it was technically difficult. It’s group scene in which nobody is who they really are, and most of them think the others are somebody else, written from the POV of the one person who knows who everyone actually is but doesn’t want to let on to the others.
Clear as mud? *grin* Yeah, it was even confusing to me while I was writing it. It took a lot of tweaking to get it to where the reader wouldn’t get hopelessly lost on the page.
(Um, at this point it might help you to know the main characters in In a Fix are “aura adaptors,” who can alter their energy to take on someone else’s appearance. It leads to some…er, interesting…situations.)
For this particular scene, the dialogue tagging alone was murder. I mean, dialogue tags should basically be invisible, shouldn’t they? They should just lie there and do their job without shouting “YOU’RE READING A BOOK!” at the reader. It’s frustrating as all get-out to make the tags behave when each character has at least two name-identifiers at any given moment. Total headache.
Then there was making sure the characters exhibited the proper ratio of their own traits to the traits of the people whose auras they were projecting.
All the while forwarding the plot. Oy.
It’s enough to make a writer…
Did I eventually succeed? I suppose time will tell. If I get a bunch of “what the hell?” hate mail after the book comes out, I’ll be guessing I didn’t.
Have you ever had to deal with a case of mistaken identity, either in your writing or in real life? Do share!
Alternatively, do you giggle when you write love scenes? Or, heck, when you read them? Please tell me I’m not the only giggler in the group.
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